6892. Script for video prompt. Female restroom cleaner.

Create a video prompt. Vertical 9:16. 

FEMALE RESTROOM CLEANER IN SINGAPORE .A RESTROOM cleaner in Singapore cleans and maintains public or commercial restrooms to keep them safe, hygienic, and fully stocked. 

28 September 2026. 1 pm. Public toilet, Harbourfront MRT station is very busy. 

Elderly frail looking FEMALE cleaner mops the floor in a Gent's restroom. Floor Care: Sweeps and mops wet or dry restroom floors to ensure they are slip-resistant and clean. Elderly Chinese woman, slight hunched back, brunette hair, bespectacled, teal coloured uniform, black shoes, holding a mop. 

"I am 77 years old", she tells commuter, Mr David Sing, an elderly Chinese man, tall, broad-shouldered, tanned, bespectacled, silver haired, white polo tee shirt and brown long pants, white shoes. "It is better to work than face the walls at home!" she smiled. She continued: "The $2,000 pay is good too! I work 6 days a week from morning to 2.30 pm." 

TEXT OVERLAY: Female cleaners place "Cleaning in Progress" warning signs, checking occupancy, and announcing their entry before cleaning.

6891. black potter wasp video

 

 

 Create a video prompt. Vertical aspect 9:16. WILDLIFE SINGAPORE. The black potter wasp (Allorhynchium argentatum)(Image) is a solitary, beneficial insect known for building tiny, urn-shaped clay or mud nests. It is spotted in the Yio Chu Kang Crescent forest on 24 August 2026 at 9.35am. Physical Appearance Body: Mostly glossy black, sometimes featuring faint yellow, white, or orange markings, or bluish-metallic wings. Waist: Features a very thin, elongated first abdominal segment (petiole). Size: Small, measuring roughly 3/8 to 3/4 of an inch (around 1 to 2 cm) long. 

 

VIDEO PROMPT CHATGPT 

 

 

VIDEO PROMPT — WILDLIFE SINGAPORE

Vertical 9:16 | Photorealistic wildlife macro | Educational nature documentary

SCENE:
SINGAPORE — 24 AUGUST 2026, 9:35 AM. Yio Chu Kang Crescent forest.

Use the uploaded reference image as the exact visual reference for the insect. Create a highly realistic macro wildlife sequence featuring a Black Potter Wasp (Allorhynchium argentatum) perched on a small white flower.

The wasp is tiny, approximately 1–2 cm long. Preserve its characteristic appearance from the reference image: a glossy dark/black body, elongated narrow waist (petiole), dark head and thorax, long antennae, and translucent wings with a subtle bluish-metallic sheen. Do not enlarge or exaggerate the insect's proportions.

SHOT 1 — ESTABLISHING MACRO

A quiet patch of lush forest vegetation at Yio Chu Kang Crescent in the morning. Soft natural 9:35 AM sunlight filters through the foliage. Gentle breeze moves the leaves and flower.

The camera slowly pushes toward a small white flower.

On-screen text:
“SINGAPORE WILDLIFE”
“Yio Chu Kang Crescent — 24 Aug 2026, 9:35 AM”

SHOT 2 — EXTREME MACRO

Reveal the Black Potter Wasp resting on the white flower.

Use shallow depth of field and a smooth macro-camera focus pull from the flower petals to the wasp's head.

Show fine details:

• glossy black body
• very narrow, elongated waist
• long segmented antennae
• delicate legs gripping the flower
• translucent wings
• subtle blue-violet metallic reflections on the wings
• tiny mouthparts moving naturally

The wasp slowly walks across the flower, pauses, moves its antennae, and briefly adjusts its wings.

SHOT 3 — NATURAL BEHAVIOUR

The camera tracks the wasp at insect level as it explores the flower.

Show realistic movement rather than exaggerated insect animation. The wasp briefly cleans its antennae with its forelegs, then turns toward another part of the flower.

A gentle breeze causes the flower to sway slightly while the wasp maintains its grip.

SHOT 4 — EDUCATIONAL DETAIL

Cut to an even tighter macro shot of the abdomen and narrow waist.

Narration — calm natural male voice:

“This tiny insect is the Black Potter Wasp, Allorhynchium argentatum.”

Pause naturally.

“It is a solitary and beneficial wasp, and it is known for building tiny urn-shaped nests from clay or mud.”

Show a brief natural visual suggestion of a tiny mud nest among vegetation, without implying that the wasp is building one at this exact moment.

SHOT 5 — SIZE AND APPEARANCE

Return to the real wasp on the flower.

Narration:

“At only about one to two centimetres long, its glossy body and remarkably thin waist are easy to miss unless you look closely.”

Macro focus highlights the extremely slender petiole connecting the thorax and abdomen.

FINAL SHOT

The wasp remains on the white flower. It opens its wings, takes off, and flies naturally out of frame.

The camera remains focused on the flower as it gently sways in the morning breeze.

On-screen text:
“Black Potter Wasp”
Allorhynchium argentatum
“Tiny wildlife, easily overlooked.”

VISUAL STYLE

Photorealistic Singapore wildlife documentary, true-to-life insect anatomy, extreme macro photography, natural morning light, realistic wing reflections, shallow depth of field, smooth focus pulls, subtle handheld wildlife-camera movement, natural forest ambience, soft breeze, authentic insect movement, no cartoon appearance, no oversized insect, no fantasy elements, no artificial colours.

Audio: quiet Singapore forest ambience, birds and distant insects, gentle rustling leaves; narration clear and conversational, with natural pauses.

6890. Photography swimming malayan water monitor

 SINGAPORE - 28 SEP 2026: 9.23 am. The Malayan water monitor lizard (Varanus salvator) is a massive, dark-scaled reptile that can grow up to 3 meters (10 feet) long, making it one of the largest lizard species in the world. 

Physical Traits
• Size: Grows up to 3 meters long with a muscular, powerful tail used for swimming and defense.
• Appearance: Features dark, leathery skin with yellow spots or bands, a long flattened snout, and nostrils located very close to the tip of the snout for breathing while low in the water.
• Venom: Possesses glands that secrete mild venom, which aids in subduing prey but poses little threat to humans.

Habitat and Behavior
• Where They Live: Found near water bodies like mangrove swamps, rivers, forests, and concrete drainage canals across South and Southeast Asia.
• Lifestyle: Excellent swimmers and divers that can stay submerged for up to 30 minutes; active during the day.
• Diet: Carnivorous scavengers that eat fish, crabs, snakes, small mammals, insects, and carrion.

--------------------------------------- 

 Create a video prompt. Vertical 9:16. HOW TO PHOTOGRAPH MALAYAN WATER MONITOR - swims past Grandpa David Sing, across the river of the bank beside the Seletar Simpang Kiri River (image).

Grandpa David Sing, Chinese, 76 years, tall, broad shouldered, bespectacled, grey hair, YELLOW polo shirt, black long pants, white shoes, Canon R5 camera with zoom lens shows his granddaughter Ya Ya the Malayan Water Monitor lizard (image) swimming in the river to his right, at a distance from the river bank. It is an excellent swimmer and diver. 

Grandpa says: "Use Canon R5, zoom lens, shutter priority, auto ISO, to photograph the swimming lizard".

Ya Ya, 7 years old, Chinese, double pleated hair, wears orange polo tee, dark black pants, white shoes in the RIVER BANK AREA (image) with grandpa for wildlife photography.

TEXT OVERLAY:
Moving lizard. Canon R5, RF 75-300mm lens
Use Shutter Priority, ISO auto 300mm, 1/100 sec, f/5.6, ISO 160 

--------------------------------------------

 

 

 

VERTICAL VIDEO — 9:16 | PHOTOREALISTIC WILDLIFE PHOTOGRAPHY

SCENE

At the Seletar Simpang Kiri River, use the provided river-bank image as the location reference and the provided Malayan Water Monitor image as the animal reference.

Grandpa David Sing, 76-year-old Chinese man, tall and broad-shouldered, grey hair, glasses, wearing a yellow polo shirt, black long pants and white shoes, stands safely on the river bank with his granddaughter Ya Ya.

Ya Ya is 7 years old, Chinese, with double-pleated hair, wearing an orange polo T-shirt, dark black pants and white shoes.

A Malayan Water Monitor swims across the river at a safe distance from the bank. Show realistic swimming, ripples, reflections and occasional diving behavior.

Grandpa tracks the moving lizard with his Canon R5 and RF 75–300mm zoom lens.

DIALOGUE

Grandpa says clearly:

“Use the Canon R5 with a zoom lens. Set the camera to Shutter Priority and Auto ISO. For this moving lizard, use 300 millimeters, 1/100 second, f/5.6, and Auto ISO.”

CAMERA SETTINGS — MAKE VERY CLEAR

When Grandpa explains the settings, display a large, clean camera-settings overlay beside him:

📷 CANON R5 — MOVING LIZARD

MODE: Shutter Priority — Tv / S
FOCAL LENGTH: 300mm
SHUTTER SPEED: 1/100 sec
APERTURE: f/5.6
ISO: AUTO
EXAMPLE ISO: ISO 160

Then briefly highlight each setting individually:

SHUTTER PRIORITY → 1/100 sec
ZOOM → 300mm
APERTURE → f/5.6
ISO → AUTO (example: ISO 160)

The 1/100 sec shutter speed should be especially prominent because the subject is moving.

IMPORTANT VISUAL DETAIL

Show the Canon R5's rear screen/viewfinder displaying the moving lizard through the telephoto lens. The camera should visibly be configured for Shutter Priority, 1/100 sec and Auto ISO.

Do not show conflicting camera settings. Keep 300mm, 1/100 sec, f/5.6 and Auto ISO consistent throughout the scene.

FINAL SHOT

The lizard swims across the river and briefly dives underwater. Grandpa smoothly follows it through the Canon R5 viewfinder while Ya Ya watches from the river bank.

End with the settings overlay remaining on screen:

CANON R5 | 300mm | 1/100 sec | f/5.6 | AUTO ISO

STYLE: Photorealistic, authentic wildlife photography documentary, natural Singapore tropical environment, realistic water and animal movement, smooth telephoto tracking, educational and cinematic, vertical 9:16.

 

---------------------------------------- 

SINGAPORE - 28 SEP 2026: 9.23 am. The Malayan water monitor lizard (Varanus salvator) is a massive, dark-scaled reptile that can grow up to 3 meters (10 feet) long, making it one of the largest lizard species in the world.  

Where They Live: Found near water bodies like mangrove swamps, rivers, forests, and concrete drainage canals across South and Southeast Asia.
 

Lifestyle: Excellent swimmers and divers that can stay submerged for up to 30 minutes; active during the day.

TEXT OVERLAY:
Use Shutter Priority, ISO auto for the swimming lizard.

28 Sep 2026: 9.23 am
Canon R5, RF 75-300mm lens
300mm, 1/100 sec, f/5.6, ISO 160 


Physical Traits
• Size: Grows up to 3 meters long with a muscular, powerful tail used for swimming and defense.
• Appearance: Features dark, leathery skin with yellow spots or bands, a long flattened snout, and nostrils located very close to the tip of the snout for breathing while low in the water.
• Venom: Possesses glands that secrete mild venom, which aids in subduing prey but poses little threat to humans.

Habitat and Behavior
• Where They Live: Found near water bodies like mangrove swamps, rivers, forests, and concrete drainage canals across South and Southeast Asia.
• Lifestyle: Excellent swimmers and divers that can stay submerged for up to 30 minutes; active during the day.
• Diet: Carnivorous scavengers that eat fish, crabs, snakes, small mammals, insects, and carrion.

6889. Plantain squirrel at ktph

 

 

SINGAPORE - 1 OCT 2026: 8.42 am. Yishun Pond Park. The young Plantain Squirrel (Callosciurus notatus) eating the red berry for breakfast, is a common native tree squirrel. Appearance: Olive-brown upperparts and tail, with distinctive black-and-white stripes along the sides of its body and a reddish-brown belly. Behaviour: Highly active during the day, known for darting through tree canopies, chirping, and feeding on fruits, seeds and insects. Habitat: Urban parks, gardens and nature reserves. 

300mm, 1/250 sec, f/5.6, ISO 1000
Canon R5, RF 75-300mm lens  F4-5.6 

 

------------------------------ 

 

 Create a video prompt. Vertical 9:16. HOW TO PHOTOGRAPH THE PLANTAIN SQUIRREL - perched on a branch of a tall tree, above and in front of  Grandpa David Sing, on the bank of the Yishun Pond (image).

Grandpa David Sing, Chinese, 76 years, tall, broad shouldered, bespectacled, grey hair, BROWN polo shirt, BROWN long pants, white shoes, Canon R5 camera with zoom lens shows his granddaughter Ya Ya the Plantain Squirrel perched up a tree branch, above and in front of him. It feeds on fruits, seeds and insects in the tree canopy. 

Grandpa says: "Use Canon R5, zoom lens, shutter priority, auto ISO, to photograph the darting squirrel."

Ya Ya, 7 years old, Chinese, double pleated hair, wears red polo tee, dark blue pants, white shoes in the Yishun Pond BANK AREA (image) with grandpa for wildlife photography.

TEXT OVERLAY:
Plantain Squirrel. Canon R5, RF 75-300mm lens
Use Shutter Priority, ISO auto.  300mm, 1/250 sec, f/5.6, ISO 1000

--------------------------------------------

VERTICAL VIDEO — 9:16 | PHOTOREALISTIC WILDLIFE PHOTOGRAPHY | SINGAPORE

DATE & TIME: Singapore — 1 October 2026, 8:42 AM
LOCATION: Yishun Pond Park, Yishun, Singapore. Use the provided Yishun Pond bank image as the environmental reference.

SCENE: HOW TO PHOTOGRAPH THE PLANTAIN SQUIRREL

A young Plantain Squirrel (Callosciurus notatus), matching the provided reference photograph, is perched on a branch of a tall tree above and slightly in front of Grandpa David Sing.

The squirrel is actively feeding on small fruits/berries among the branches and leaves. Show its characteristic olive-brown upperparts, long tail, black-and-white lateral stripes and reddish-brown belly. It moves naturally through the foliage, occasionally darting along the branch, pausing, looking around and feeding.

The tree is beside Yishun Pond, with lush Singapore vegetation and the pond visible below and behind the river-bank/pond-bank vegetation.

GRANDPA DAVID SING

Grandpa David Sing, Chinese, 76 years old, tall and broad-shouldered, grey hair and bespectacled, wears:

• Brown polo shirt
• Brown long pants
• White shoes

He holds a Canon R5 with an RF 75–300mm F4–5.6 zoom lens, looking upward through the viewfinder toward the squirrel.

He carefully tracks the squirrel as it moves among the branches.

YA YA

Ya Ya, Chinese, 7 years old, with double-pleated hair, wears:

• Red polo T-shirt
• Dark blue pants
• White shoes

She stands safely with Grandpa in the Yishun Pond bank area, looking upward at the squirrel and watching Grandpa photograph it.

CAMERA ACTION

Begin with a wide vertical establishing shot showing Grandpa David and Ya Ya on the Yishun Pond bank, surrounded by lush greenery.

Tilt the camera upward to reveal the Plantain Squirrel perched high on the tree branch above and in front of Grandpa.

Cut to a simulated 300mm telephoto wildlife-photography view. The squirrel fills much of the frame while branches and leaves create natural foreground and background depth.

Show the squirrel:

• Eating a small fruit/berry
• Holding the food with its front paws
• Chewing
• Looking alertly toward the camera
• Darting a short distance along the branch
• Pausing before continuing to feed

Grandpa smoothly follows these movements with his Canon R5.

DIALOGUE

Grandpa says naturally and clearly:

“Use Canon R5, zoom lens, shutter priority, auto ISO, to photograph the darting squirrel.”

Show a brief close-up of Grandpa operating the camera, then return immediately to the squirrel through the telephoto view.

CAMERA SETTINGS — CLEAR EDUCATIONAL OVERLAY

Display a large, clean and highly legible camera-settings panel:

HOW TO PHOTOGRAPH THE PLANTAIN SQUIRREL

CAMERA: Canon R5
LENS: RF 75–300mm F4–5.6
MODE: Shutter Priority — Tv
FOCAL LENGTH: 300mm
SHUTTER SPEED: 1/250 sec
APERTURE: f/5.6
ISO: AUTO
EXAMPLE ISO READING: ISO 1000

Make 300mm and 1/250 sec especially prominent because the squirrel is high in the tree and may dart suddenly between branches.

Clearly distinguish AUTO ISO from the example exposure reading ISO 1000. Do not make ISO 1000 appear to be a manually fixed ISO setting.

ON-SCREEN TEXT

Use a second concise overlay during the telephoto shot:

PLANTAIN SQUIRREL
Canon R5 + RF 75–300mm

SHUTTER PRIORITY (Tv)
300mm | 1/250 sec | f/5.6
ISO AUTO — ISO 1000

Keep all text sharp, stable and easy to read in the vertical 9:16 frame.

FINAL SHOT

The Plantain Squirrel pauses on the branch, holding a small fruit between its paws and eating. Grandpa David keeps the squirrel centred in his telephoto frame while Ya Ya watches from beside him.

End with a clean close-up of the squirrel surrounded by natural leaves and branches.

STYLE: Highly photorealistic Singapore wildlife documentary, authentic Plantain Squirrel anatomy and behaviour, natural morning light, realistic foliage movement, realistic depth of field, natural telephoto compression, smooth camera tracking, documentary wildlife photography, educational and cinematic, no exaggerated animal movements.

SAFETY: Grandpa and Ya Ya remain safely on the Yishun Pond bank and do not climb the tree or approach the squirrel.

-------------------------------------------
2. Chatgpt video prompt: 

Create a video. Vertical aspect ratio 9:16.  A more natural line would sound like Grandpa is teaching Ya Ya in the moment, rather than reciting camera-menu terminology.

Replace the dialogue section with:

NATURAL GRANDPA–YA YA DIALOGUE

Ya Ya looks up at the squirrel and asks:

Ya Ya: “Grandpa, it’s moving so fast. How do I photograph it?”

Grandpa watches the squirrel through his Canon R5 and replies naturally:

Grandpa: “Use the zoom lens and set the camera to Shutter Priority. Keep the shutter at 1/250 second, and let Auto ISO take care of the light. Zoom in to 300 millimeters and follow the squirrel as it moves.”

Ya Ya watches the squirrel dart along the branch.

Grandpa: “There—keep it in the frame. Wait for it to pause… now, take the shot.”

Then show the camera-settings overlay:

Canon R5 + RF 75–300mm F4–5.6
Shutter Priority (Tv)
300mm | 1/250 sec | f/5.6
ISO AUTO — Example: ISO 1000

This gives the dialogue a more natural grandfather teaching his granddaughter feel while still communicating all the photography settings clearly.

6888. datasets earnings

 

Shutterstock Contributor Care	Tue, Sep 22, 6:50 AM (10 days ago)
to me

​Dear Sing, 

Thank you for the reply. 

Earnings from datasets are pooled in a collective fund and will be distributed periodically as the fund accumulates significant revenue for distribution. If you have generated earnings from the fund, you will see those posted in your Earnings Summary, in the "Contributor Fund" column.

According to our records, since 2025 you have received earnings from the contributor fund on three different occasions. Here is the information from your Earnings Summary tab: 

• May 2025 - $20.95
• November 2025 - $128.27
• June 2026 - $3.91

6887. Haka dance at a funeral.

 1 Oct 2026. Haka dance at funeral.
--------------------------

 

Claude
Long version

Create a video prompt of a Haka dance at a funeral and sing the lyrics in English.
The Haka is performed at a funeral as a Haka Tangi, a profound Māori expression of grief, deep respect, and final farewell.
An adult Maori son and daughter, around 35 years old, perform a traditional Māori Haka during an outdoor funeral service in the woods of North New Zealand, as a sign of respect and final farewell to their Maori father.
Text Overlay:
Māori Lyrics and English Translation.
The words chanted during Ka Mate translate directly to the following meaning:

• Māori: Ka mate, ka mate! Ka ora! Ka ora! English: It is death, it is death! It is life, it is life!
• Māori: Ka mate, ka mate! Ka ora! Ka ora! English: It is death, it is death! It is life, it is life!
• Māori: Tēnei te tangata pūhuruhuru English: This is the hairy man (referring to the chief who helped hide Te Rauparaha, the warrior who composed the chant ).
• Māori: Nāna nei i tiki mai whakawhiti te rā English: Who brought back the Sun and caused it to shine
• Māori: Ā, upane! Ka upane! English: A step upward, another step upward!
• Māori: Ā, upane, ka upane, whiti te rā! English: A step upward, another... the Sun shines!

Meaning and Purpose of the Haka

• Honoring the Deceased: It acknowledges the life, legacy, and mana (prestige, honor) of the person who has passed away.
• Expressing Raw Emotion: The intense physical movements, stamping of feet, and forceful chanting convey deep sorrow that ordinary words cannot capture.
• Offering Protection: It acts as a spiritual shield and a final, powerful send-off as loved ones escort the departed spirit on its journey. Community Unity: Performing the dance together allows family, friends, and the community to share their pain, support the bereaved family (whānau), and process the loss collectively.

 

 

 

 

 

 

 

 

 

 

 

 

 

Drafting a video prompt for a funeral haka scene.

Here's a video prompt you can paste into a text-to-video tool. I've split it into the visual prompt, the audio/lyrics, and the text overlay, because most video models handle these better separately.

Video prompt

Cinematic, 4K, slow and solemn. An outdoor funeral gathering in a misty native forest in Northland, New Zealand, at dawn. Towering kauri trees and tree ferns, soft golden light filtering through the canopy, low mist along the ground. Mourners (whānau) in dark clothing stand in a quiet semicircle around a simple wooden casket decorated with greenery and a woven korowai (feather cloak). Some mourners weep silently.

A Māori man and woman, both around 35 years old, step forward side by side as the family's son and daughter. They wear dark formal clothing, and she has a woven flax (harakeke) wrap. Their faces are lined with grief and resolve. They begin a Haka Tangi, a haka of mourning, for their late father.

Camera: a slow push-in on their faces, then a low-angle wide shot of them stamping in unison, then close-ups of trembling hands (wiri), stamping feet, and tears. Shallow depth of field, naturalistic color grading, muted greens and warm light. Mood: raw, dignified, reverent, never theatrical. They finish with a long exhale and bowed heads as the mist drifts past.

Audio / chant (English)

Performed by the son and daughter in unison, with deep, forceful voices, rhythmic foot-stamping, and thigh and chest slaps:

It is death, it is death! It is life, it is life!
It is death, it is death! It is life, it is life!
This is the hairy man
Who brought back the Sun and caused it to shine
A step upward, another step upward!
A step upward, another... the Sun shines!

Audio direction: Ambient forest sounds (birdsong, wind in the trees) that fall silent as the haka begins. The chant is spoken in a strong, grieving cadence, not sung melodically. End with a long silence, then soft weeping and a single bird call.

Text overlay

Add these as captions in your editor, since AI video models usually render text poorly. I'd show the Māori line first, then fade in the English beneath it, line by line, in a clean white serif font. After the haka, show a closing title card with the "Meaning and Purpose" points (honoring the deceased, expressing raw emotion, offering protection, community unity).

Notes

• Language: Haka is traditionally chanted in te reo Māori. For a more authentic result, I'd have them chant the Māori words and show the English as subtitles. If you use the English audio, as you requested, it works best framed as a translated tribute.
• Ka Mate: This haka is usually associated with life triumphing over death rather than being a funeral haka specifically. It's still often performed at tangihanga. Ka Mate belongs to Ngāti Toa Rangatira, and the Haka Ka Mate Attribution Act 2014 asks for acknowledgment in commercial use, so credit them in your video description.
• Respect: If this is for public or commercial use, consider having someone from the Māori community review it, and avoid caricature in the facial expressions (pūkana) and tattoos.

 

 

 

---------------------

Short version

 

Short video prompt

Cinematic 4K, slow and solemn. Dawn in a misty native kauri forest in Northland, New Zealand. Mourners in dark clothing stand in a semicircle around a simple wooden casket draped with a woven korowai and greenery. A Māori son (tall, broad shouldered Maori, black short curly hair, broad face, broad chest, short beard and daughter (Maori, tall, broad chest and big hips) both about 35, step forward and perform a Haka Tangi for their late father: synchronized foot-stamping, trembling hands, thigh and chest slaps, and tears running down their faces. Camera pushes in slowly on their faces, then cuts to a low-angle wide shot. Soft golden light through the canopy, muted greens, shallow depth of field. Raw, dignified, reverent. It ends with bowed heads as mist drifts past.

Audio: Forest ambience falls silent. The siblings chant in unison in forceful, grieving voices: "It is death, it is death! It is life, it is life! This is the hairy man who brought back the Sun and caused it to shine. A step upward, another step upward... the Sun shines!" The scene ends in silence, soft weeping, and a single bird call.

Overlay (add in editing): Māori line first, then the English translation beneath it, in a clean white serif font.

 

------------------------------
Create a video prompt of a Haka dance at a funeral and sing the lyrics in English.

The Haka is performed at a funeral as a Haka Tangi, a profound Māori expression of grief, deep respect, and final farewell.

 An adult son and daughter performs a traditional Māori Haka during an outdoor funeral service in the woods of North New Zealand, as a sign of respect and final farewell to their Maori father.

 Text Overlay:
Māori Lyrics and English Translation. 

The words chanted during Ka Mate translate directly to the following meaning: 

Māori: Ka mate, ka mate! Ka ora! Ka ora!
English: It is death, it is death! It is life, it is life!
Māori: Ka mate, ka mate! Ka ora! Ka ora!
English: It is death, it is death! It is life, it is life!
Māori: Tēnei te tangata pūhuruhuru
English: This is the hairy man (referring to the chief who helped hide Te Rauparaha, the warrior who composed the chant
).
Māori: Nāna nei i tiki mai whakawhiti te rā
English: Who brought back the Sun and caused it to shine
Māori: Ā, upane! Ka upane!
English: A step upward, another step upward!
Māori: Ā, upane, ka upane, whiti te rā!
English: A step upward, another... the Sun shines!

Meaning and Purpose of the Haka

Honoring the Deceased: It acknowledges the life, legacy, and mana (prestige, honor) of the person who has passed away.
Expressing Raw Emotion: The intense physical movements, stamping of feet, and forceful chanting convey deep sorrow that ordinary words cannot capture. 
Offering Protection: It acts as a spiritual shield and a final, powerful send-off as loved ones escort the departed spirit on its journey. Community Unity: Performing the dance together allows family, friends, and the community to share their pain, support the bereaved family (whānau), and process the loss collectively.

 

 

 

 

-------------------------

 

 Who can perform the Haka?

Long answer short; anyone can perform the haka as long as it is done with seriousness and respect. Traditionally, both males and females perform the haka, but there are certain haka involving only women and the same goes for the men.

Of course, traditionally, only the Maori performed the Haka but since New Zealand had a mixed population of Maori and Pakeha (non-Maori New Zealanders) are involved in performing haka. In fact, they even teach the haka in New Zealand schools.

Māori Lyrics and English Translation

The words chanted during Ka Mate translate directly to the following meaning: 

Māori: Ka mate, ka mate! Ka ora! Ka ora!
English: It is death, it is death! It is life, it is life!
Māori: Ka mate, ka mate! Ka ora! Ka ora!
English: It is death, it is death! It is life, it is life!
Māori: Tēnei te tangata pūhuruhuru
English: This is the hairy man (referring to the chief who helped hide Te Rauparaha, the warrior who composed the chant
).
Māori: Nāna nei i tiki mai whakawhiti te rā
English: Who brought back the Sun and caused it to shine
Māori: Ā, upane! Ka upane!
English: A step upward, another step upward!
Māori: Ā, upane, ka upane, whiti te rā!
English: A step upward, another... the Sun shines!

6886. Claude creates video prompt spitting cobra

 

Create a video prompt. Vertical 9:16. A HIGHLY VENOMOUS BLACK SPITTING COBRA (image) - glides towards Grandpa David Sing, across the short grass of the forest path beside the Seletar Simpang Kiri River (image).

Grandpa David Sing, Chinese, 76 years, tall, broad shouldered, bespectacled, grey hair, YELLOW polo shirt, black long pants, white shoes, Canon R5 camera with zoom lens shows his granddaughter Ya Ya the black spitting cobra gliding towards him from a distance. The cobra stands erect, expands its hood, hisses loudly in a defensive posture. Grandpa says: "Spitting Cobra. Stay more than 3 metres away. Do not provoke or corner it!
Ya Ya, 7 years old, Chinese, double pleated hair, wears white floral polo tee, dark black pants, white shoes in the RIVER BANK AREA (IMAGE) with grandpa for wildlife photography.

TEXT OVERLAY: "Ya Ya, This black spitting cobra can spit venom accurately up to 2.4 metres towards a target's eye. Stay more than 3 m away. Do not provoke it.

Drafting a video prompt about wildlife safety content.

Your message mentions images, but none came through, so I've marked where your reference images go. Attach them in your video tool as character and location references.

VERTICAL 9:16, cinematic wildlife documentary style, 10 seconds, natural overcast tropical daylight, shallow depth of field, steady handheld feel, realistic colours.

REFERENCE IMAGES: [IMAGE 1: black spitting cobra, use for snake appearance] [IMAGE 2: Seletar Simpang Kiri River forest path and riverbank, use for location]

SETTING: A forest path of short green grass beside the Seletar Simpang Kiri River, Singapore. Lush tropical trees, calm river in the background, dappled light.

CHARACTERS:
- Grandpa David Sing: Chinese, 76, tall, broad-shouldered, bespectacled, grey hair, bright YELLOW polo shirt, black long pants, white shoes. Holds a Canon R5 with a zoom lens.
- Ya Ya: Chinese girl, 7, double pleated hair, white floral polo tee, dark black pants, white shoes. She stands on the RIVERBANK beside Grandpa, calm and curious, a safe distance behind him.

ACTION:
0-3s: Wide low-angle shot. A highly venomous black spitting cobra glides smoothly across the short grass toward Grandpa David from a distance. Glossy black scales, slow controlled movement.
3-6s: Medium shot. Grandpa slowly lowers his Canon R5 and points the zoom lens toward the cobra, keeping Ya Ya behind him on the riverbank. The cobra stops, rears upright, expands its hood and hisses loudly in a defensive posture.
6-10s: Close-up on Grandpa, calm and serious, speaking to Ya Ya, then a cut back to the cobra with its hood flared. Grandpa says, in a calm, firm voice:
"Spitting Cobra. Stay more than 3 metres away. Do not provoke or corner it!"

CAMERA: Start with a low-angle wide shot on the grass, then a slow push-in, a medium two-shot over Grandpa's shoulder, and a tight close-up of the flared hood. Sharp focus on the snake, soft forest bokeh.

AUDIO: River ambience, birds and insects, a low loud hiss, Grandpa's calm voice. No music.

TEXT OVERLAY (bottom third, white bold sans-serif with subtle shadow, safe-zone margins, fades in at 6s and holds to the end):
"Ya Ya, This black spitting cobra can spit venom accurately up to 2.4 metres towards a target's eye. Stay more than 3 m away. Do not provoke it."

STYLE: Educational wildlife safety tone, realistic, tense but calm. No gore, no attack, no bite. The snake never reaches or touches anyone, and the people never approach it.

NEGATIVE: no cartoon look, no extra people, no camera brand distortion, no garbled text, no snake touching or striking anyone, no changed clothing colours.

A few notes:

• Species: Black spitting cobras (Naja nigricollis) are African. Singapore's native spitting cobra is the Equatorial spitting cobra (Naja sumatrana), which is also black and lives in the Seletar area. If accuracy matters for an educational video, consider using that name.
• Overlay text: Overlays are often garbled by video generators. If it comes out wrong, add the text in an editor afterwards.
• Length: If you want more than 10 seconds, I can split this into two or three separate clips.

6885. Black spitting cobra at 3 metres safety

 

Here is a detailed 9:16 vertical video-generation prompt, designed for a cinematic wildlife-education sequence. If you upload the river-bank image and cobra image, the prompt can be tailored more precisely to those references.

FORMAT: Vertical 9:16, cinematic wildlife documentary, photorealistic, 4K, natural Singapore rainforest environment.

LOCATION: Seletar Simpang Kiri River, Singapore. Forest path beside the river, short grass along the pathway, dense tropical greenery, trees and foliage in the background, clean natural river environment. Bright daytime, gentle breeze moving the grass and leaves.

CHARACTERS:

Grandpa David Sing — Chinese male, 76 years old, tall, grey hair, bespectacled, wearing a floral polo shirt, black long pants and white shoes. He carries a Canon R5 camera with a telephoto zoom lens.

Ya Ya — Chinese girl, 7 years old, double-pleated hairstyle, orange polo T-shirt, dark black pants and white shoes. She is accompanying Grandpa for wildlife photography.

ANIMAL: A highly venomous black spitting cobra, matching the supplied reference image. Realistic anatomy, glossy dark/black scales, alert eyes, natural snake movement and realistic defensive behaviour.

SCENE 1 — QUIET RIVER BANK

0–5 seconds

Wide establishing shot of the Seletar Simpang Kiri River forest path. Short grass borders the path, with lush tropical vegetation and the river visible nearby.

Grandpa David and Ya Ya stand together at a safe distance, observing the surroundings. Grandpa holds his Canon R5 with the telephoto zoom lens and points it toward the vegetation.

Natural ambient sound: birds, insects, rustling leaves and gentle river sounds.

SCENE 2 — THE COBRA APPEARS

5–10 seconds

Cut to a telephoto wildlife shot.

The black spitting cobra slowly glides through the short grass from a considerable distance, moving naturally toward the general direction of Grandpa and Ya Ya.

The snake must remain clearly separated from the people. Do not show the cobra making physical contact with either person.

Grandpa notices the snake and immediately stops moving.

Ya Ya looks toward the snake while remaining beside Grandpa.

SCENE 3 — DEFENSIVE DISPLAY

10–17 seconds

Medium telephoto shot of the cobra.

The cobra suddenly raises the front portion of its body, spreads its hood widely and adopts a defensive posture.

It gives a loud, realistic hissing sound.

Its body remains grounded while the raised head and expanded hood create an unmistakable warning display.

Grandpa calmly keeps his distance and does not approach.

Ya Ya stays beside him and does not move toward the snake.

SCENE 4 — WILDLIFE SAFETY

17–25 seconds

Close-up of the cobra's expanded hood and alert head, followed by a wider shot showing the substantial distance between the snake and the two people.

Grandpa gently gestures to Ya Ya to remain behind him and stay well away from the snake.

He does not attempt to photograph the cobra from close range, touch it, chase it, corner it or provoke it.

The scene emphasizes observation from a safe distance.

TEXT OVERLAY

Large, highly legible white text with subtle dark outline:

"Ya Ya, this black spitting cobra can spit venom accurately up to 2.4 metres towards a target's eye."

Then below it:

"Stay more than 3 m away. Do not provoke it."

Keep the text safely inside the 9:16 frame's title-safe area.

CAMERA & VISUAL STYLE

• Vertical 9:16
• Photorealistic wildlife documentary
• Cinematic natural lighting
• Canon-style telephoto wildlife photography aesthetic
• Alternating wide environmental shots and long-lens close-ups
• Natural depth of field
• Realistic snake locomotion
• Realistic hood expansion and defensive behaviour
• Gentle handheld documentary camera movement
• No exaggerated CGI appearance
• No fantasy elements
• No unnecessary dramatic music
• Authentic Singapore tropical forest ambience

SAFETY / REALISM

The cobra must remain clearly separated from Grandpa and Ya Ya throughout the sequence. The people must never approach, touch, chase, corner or provoke the snake.

The scene should communicate that encountering a venomous snake is a situation for distance, calm observation and avoidance, not interaction.

FINAL SHOT: Wide shot of Grandpa and Ya Ya remaining safely away while the black spitting cobra maintains its defensive posture in the grass, surrounded by the natural greenery of the Seletar Simpang Kiri River.